Twenty years after the iconic release of The Devil Wears Prada, the sequel reunites Meryl Streep and Anne Hathaway in their legendary roles as Miranda Priestly and Andy Sachs. Directed by David Frankel, the film, released on April 29, 2026, aims to save fashion and journalism from collapse but faces criticism for its recycled plot, lackluster romance, and controversies surrounding inclusivity and authenticity. Despite strong performances, the sequel struggles to capture the magic of the original.Die Welt+2
The sequel, set two decades later, sees Andy Sachs returning to the fashion world to help Miranda Priestly defend against tech billionaires who threaten the industry. While the film explores contemporary workplace dynamics and existential themes, it is criticized for its heavy focus on product placement and diluted aspirational appeal.Der Spiegel+2
Meryl Streep and Anne Hathaway reprise their roles with the same intensity and charm that made the original a hit. Emily Blunt also returns, adding depth to the ensemble. The film features witty one-liners and celebrity cameos, blending drama and humor. However, the film is let down by odd casting choices and the absence of a hoped-for cameo by Anna Wintour. Meryl Streep revealed she initially turned down the role of Miranda Priestly to negotiate higher pay, highlighting the film’s financial strategy.The New York Times+4
While the sequel has been praised for its engaging storyline and strong performances, it faces backlash for its reliance on merchandise-driven marketing and lack of depth compared to the original. Critics argue that the film fails to address the decline of fashion magazines effectively, focusing instead on superficial crises. Additionally, the film has been criticized for its lack of genuine body diversity, featuring only one plus-size actor and several weight-related jokes, which contradicts its claims of inclusivity.Toronto Star+4
The 2006 film remains beloved for its sharp humor, relatable themes, and Meryl Streep’s iconic portrayal of Miranda Priestly. The sequel, though entertaining, struggles to live up to the enduring appeal of its predecessor, leaving fans nostalgic for the original’s aspirational charm. Notably, Vogue, which initially distanced itself from the film, has now embraced it, reflecting shifting attitudes within the fashion industry.The New York Times+4